Jazz albums to start a collection
Nine records, in the order I would buy them, covering most of what jazz can do.
Sunday at the Village Vanguard
Bill Evans Trio, 1961. A trio listening to itself; LaFaro died days later.
Mingus Ah Um
Mingus, 1959. Gospel, blues and temper. Goodbye Pork Pie Hat is the way in.
A Love Supreme
Coltrane, 1965. Four movements, one prayer. End to end or not at all.
Kind of Blue
Miles Davis, 1959. Modal, unhurried, the one record nobody argues with.
Brilliant Corners
Thelonious Monk, 1957. Awkward on purpose, and the awkwardness is the tune.
Ella and Louis
Fitzgerald and Armstrong, 1956. Two voices, a quartet behind them, nothing else.
Time Out
Brubeck, 1959. Odd time signatures that swing anyway. Most people start here.
Saxophone Colossus
Sonny Rollins, 1956. St. Thomas, then the ballad. A tenor hiding behind nothing.
Maiden Voyage
Herbie Hancock, 1965. Blue Note at its most open; the title track drifts.